![]() The nightmarish feel of the whole thing is heightened by the inverted sets (notably a Gents` khasi visited by young Robin Shelby) and the weird from-below lighting which makes nobody look good.įeatures The two-disc set is fully loaded. If there`s one valid nit-pick you can make about the story, it`s why the hell nobody thinks to close a water-tight door behind them. Throughout the movie, the characters are pursued by a relentless foe - the rising water as the ship slowly goes down by the bow. However, it is largely the appeal of the actors rather than the characters which makes you care for Reverend Scott and his flock. ![]() Other commentators have noted that the characters of Sterling Silliphant and Wendell Mayes` screenplays aren`t one-dimensional stereotypes, they`re archetypes and that`s a heck of a difference. Roddy McDowall plays Acres, the only crewmember of the ship to join the quest. Lynley describes her character in the yak-track as a borderline hysteric. Buttons is an uptight haberdasher (think an un-camp Mr Humphries) who links up with singer Nonnie (Lynley) after the disaster. Coming up the rear are Red Buttons and Carol Lynley. Typically, Robin is the only person aboard with a plan for getting out of their predicament and all the adults will do is nit-pick. Eric Shea and Pamela Sue Martin play Robin and Susan Shelby, the obligatory youngsters who get caught up in the disaster. Rogo is a career cop, risen to Lieutenant and married to a lippy ex-hooker he arrested once too often (the glorious Stella Stevens who frequently steals the picture.) Shelley Winters, who was nominated for an Academy Award®, and Jack Albertson play the Rosens, an elderly couple who prove to have more of a survival instinct than many of the passengers. Rogo, like Scott, is a man of action rather than words and neither likes the other perhaps recognising similarities between them. Rogo, played by Ernest Borgnine in possibly his best role other than Marty (1955). He comes into conflict with fellow survivor, police Lt. His frustration with the mainstream Church (represented by character actor Arthur O`Connell) of spirituality rather than action leads him to a crisis of faith. Scott, a hell-fire type man of the cloth who believes that God helps those who help themselves. He plays the classic doubting preacher in the form of Rev. Hackman does not list Poseidon as one of his happier work experiences and was not available for the extras on the disc set, but he is seen briefly out of character in the vintage promotional material on disc two. The cast list is sublime, led by Gene Hackman, fresh from the success of The French Connection. Led by a hell-fire preacher who`s lost his faith, the group faces a perilous voyage through the bowels of the ship to the hull and the hope of rescue. It`s the story of a handful of survivors from the capsize of a luxury liner on its swansong voyage. It spawned the short-lived disaster movie genre that brought us The Towering Inferno, Earthquake, The Swarm and a mixed bag of theatrical and TV movie disaster pics that ranged from the incredible to the goreblimey. The Poseidon Adventure is a much underrated classic of 1970s Hollywood. ![]() ![]() In 1972, television-fantasy producer Irwin Allen turned his back on the likes of Lost In Space, Time Tunnel, Land Of The Giants and Voyage To The Bottom Of The Sea to make his first theatrical feature film in ten years. For a few anxious moments, the entire complement of the ship had wondered if the ship would right itself and the incident later inspired Gallico to write a best-selling thriller called The Poseidon Adventure. The ship rolled almost right over, but righted herself. In 1937, author Paul Gallico was crossing the Atlantic aboard the RMS Queen Mary when the ship was hit by three enormous waves. And don`t get me started on the companion set of The Towering Inferno (which isn`t going to happen because that movie is a Warner Bros. We also don`t get the eight Lobby Card reproductions. While the two-disc sets of The Poseidon Adventure are identical from a pure disc-based standpoint, the UK and European edition has an uninspiring blue artwork while the US version sports the theatrical poster art (curiously tinted in shades of orange). Introduction To a certain extent, Region Two has once again drawn the short straw when comparing like releases on either side of the Atlantic.
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